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Toddrick Frank, a hustler, living his life until he runs into his ex-girlfriend, Quanita’s baby daddy, Tyrone. Afraid for his life, Frank sets out to run out of town until he receives a call from Sage Lee to kill her husband for half a million.
A group of young boys on the cusp of becoming teenagers embark on an epic quest in the San Fernando Valley to fix their broken toy before their parents get home.
“Say goodnight to the bad guys” picks up where “A Sh*t river runs through it” left off. it’s a year after the events of A.S.R.R.T.I and Ricky, Julian, and bubbles are rich with cash, but Julian sits on the money for a year claiming “movies like casino prove that waving money around right away is a bad idea.” and then hides it in his newly purchased Delorean (AKA car from back to the future)
A young refugee of the Sudanese Civil War who wins a lottery for relocation to the United States with three other lost boys. Encountering the modern world for the first time, they develop an unlikely friendship with a brash American woman assigned to help them, but the young man struggles to adjust to this new life and his feelings of guilt about the brother he left behind.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
Good girls Merritt, Melanie, Tuggle and Angie – all students at mid-western Penmore University – are planning on going to Fort Lauderdale, Florida for spring break to get away from the mid-western snow despite not having much money to spend once there. On the drive down, they admit their real purpose is to go where the boys are.
Amandla is an anti-apartheid resistance slogan and means power. Apartheid in South Africa is still in full force when, in 1987, the two brothers Impi and Nkosana grew up on a farm as the sons of servants. The white owners are liberal people who aren’t too particular about racial segregation. Black Africans have it relatively good there. Even a tender love bond develops between Impi and the blond daughter Elizabeth. But they have to be on their guard when neighboring farmers come to visit. When three racist upstart Boers arrive on the farm one day, tragic incidents occur with terrible consequences. The two Zulu boys are now on their own. Several years after surviving this childhood tragedy, the now grown brothers each find themselves on the opposing sides of the law. One is a gangster, the other is a police officer. A heinous gang crime tests their loyalty to one another.
They were the bad boys of hockey — a team bought by a man with mob ties, run by his 17-year-old son, and with a rep for being as violent as they were good.
The characters we met a little more than a decade ago are returning to East Great Falls for their high-school reunion. In one long-overdue weekend, they will discover what has changed, who hasn’t and that time and distance can’t break the bonds of friendship. It was summer 1999 when four small-town Michigan boys began a quest to lose their virginity. In the years that have passed, Jim and Michelle married while Kevin and Vicky said goodbye. Oz and Heather grew apart, but Finch still longs for Stifler’s mom. Now these lifelong friends have come home as adults to reminisce about – and get inspired by – the hormonal teens who launched a comedy legend.
Meet best friends Michael, Albert, Stanley and Sefa; the ladies’ man, the good boy, the weird one and the party boy. They’re staring down the barrel of their thirtieth birthdays, but still act as if they’re sixteen; they get drunk, they chase the wrong women and they have a remarkable record of misbehaving and causing chaos at every wedding they attend. But now Michael’s younger brother Sione is getting married, and everything is about to change. Sione is their boy, the kid they used to look after, who grew up while they were still partying. And to ensure his big day isn’t spoiled by his boys and their idiot antics, Sione has issued an ultimatum; the guys all have to bring dates to the wedding. And not just any dates; real girlfriends, someone they’ve made a commitment to. They have one month. So just how hard can it be to get a date for your best boy’s wedding?
Adam is your average working-class guy living in small-town America. He’s an auto mechanic who spends his free time with his tight-knit band of bros, Chris, Nick and Ortu, with whom he does everything—poker, video games, shooting hoops, getting drunk and meeting women. But there is something about Adam that even his friends don’t know. He is not that interested in women. When he comes out, sort of by accident but not really, his best friend Chris promises him that nothing will change but, of course, some things do. After the initial shock, the boys quickly come around to the fact that Adam is still the same dude, but when his double date with Chris ends disastrously, a drunken misunderstanding threatens to derail the group’s entire dynamic. Fourth Man Out is a feel-good buddy comedy with plenty of heart that focuses on the growing pains and ultimate strengths of of friendship.
A powerful drama relating the intimate aspect of teenage boys and their priest/educators behind the walls of a religious institution where rigid discipline backfires natural feelings are deemed unnatural acts and human lives are controlled in the names of good intentions.
Even with Christmas around the corner, for the Buckley boys, payback almost always wins out over brotherly love. That is until the four brothers join forces against a common adversary–the Hagbarts, the meanest bullies at their middle school. But now Mom has decided that the Buckley family is going to Elve the Hagbarts this year for Christmas. Eleven-year-old Matthew can hardly stand it. By day the Hagbarts torture the Buckley brothers into submission, and by night the Buckleys secretly deliver Christmas treats and gifts to their sworn enemies. Soon the war of wits escalates to an incredible scheme designed to get the ultimate revenge on the Hagbarts. But now that Matthew has been learning that he’s supposed to be good to those who hate him, what will he do when a little push becomes a great big shove?
Secret Santa tells the story of a group of eccentric college kids, struggling to get through the hectic exam period. A liquor filled party is planned. Adding a Secret Santa exchange for fun. Little do our characters know – A killer is in town and has a special present for all the good (and bad) girls and boys.
Madge Hooper, owner of several small businesses in town, was killed during one of her daily walks along Yellow Ridge woods in the 1970′s. She died of a single shot gun blast to the chest then finished off by decapitation. Madge’s head was buried somewhere in the area of Yellow Ridge. Legend has it that if you go to a particular part of the woods at a particular time of day you can see the ghost of Madge Hooper wandering around in the woods looking for her head. After some bizarre killings of innocent campers begin to surface, John and Clarence, two local good ‘ole boys set out to prove that the ghost of Madge Hooper actually exists.
The show features some great light and sound effects apart from the great music that Eagles is renowned for. The ‘five-part’ harmony song, “Hole in the World” elicits a great crowd participation with the audience providing a ‘clap rhythm’ as the band sings. The song “Life’s Been Good” features some antics by Joe Walsh and Frey with them staging a mock rivalry on stage and the latter having a hearty laugh at the former. The song also features a ‘helmet cam’ session where the crowd gets to see what the camera on Walsh’s helmet points at. Also, the songs “The Boys of Summer” and “Hotel California” feature the first officially documented use by the Eagles of a drum machine in a live performance; in particular, during “Hotel California”, a pre-programmed track is used to simulate the muted guitar strums which provide a steady beat on the original studio recording of the song, and which are absent from all of the previous live performances of it.
